Sound you can walk into.
Sound design and original score for spaces, film, and performance — whether it surrounds a room, a screen, or a pair of headphones.
Designing Complete Listening Experiences.
Featured Work
About
Yen-Hao "DC" Tu is a Taiwanese composer and sound designer working across film, animation, sound installation, exhibition, and performance.
Films he has scored have been selected for the New York Asian Film Festival, Huesca International Film Festival, Uppsala International Short Film Festival, and PRIX JEUNESSE International in Munich. His acousmatic work was a winner of TPMC petites formes 2024 in Paris.
He has created sound for the ASICS Women Running campaign, Museum of Fine Arts Boston campaign, the Matsu Biennial motion identity, and Yodex's 40th anniversary campaign, working with studios including O.OO, Base Design, and Aaron Nieh Workshop. He was lead sound designer and immersive sound engineer for the 8-channel immersive theater Giant Unearthed: A Taiwan Whale’s Tale at the National Museum of Natural Science.
International Brands I've Collaborated With
Services
Score & Sound Design
Original score and sound design for the moving image. Animation, brand films, films, dance.
Spatial & Multichannel Sound
Sound for spaces, exhibitions, and immersive experiences. Produced remotely, delivered on-site.
Music Supervision
Sourcing, curating, and clearing existing tracks.
How I work｜Working remotely with clients worldwide. Available on-site for spatial projects.
How the work is made
Goal
What the sound needs to achieve. What the audience should feel, and what they should remember.
Tone
Texture, space, and distance. What instruments, melody or texture, restrained or lush.
Production
Writing the full score and sound design. Deciding what you hear, and what sits behind it.
Mix
Mixing is to sound what color grading is to picture. The same material can be finished to stand out, or to sit perfectly in the scene.
Client Feedback
“The hardest part of finding a composer is finding someone who truly understands the filmmaker's vision and actively thinks alongside you. Yen takes the time to grasp the core of the work before deciding where music is genuinely needed. He articulates the rationale behind every musical choice, which in turn inspired me to reflect on the rhythm and state of the visuals.”
“While stock music might get you close, it always feels limiting. Collaborating with Yen from the ground up made all the difference. We built the duration, structure, and mood together, giving the work a real sense of depth that transformed not just the audio, but the bodies and the entire space.”
“Working with a composer for the first time, I was worried that not knowing the technical terms would make it hard to communicate. But Yen started with the story and how it felt. He told me that understanding the music was his job as a composer; mine was simply to be clear about what the film was trying to say. What he delivered captured exactly what I had described, and it tied the whole film together from start to finish.”
More than a soundtrack.
Finding the right sound is hard. Knowing when to hold back is harder.
What you need is integrated music and sound design to bring your vision into focus, align sound with image, and make your story resonate long after it ends.